Part of ongoing Fragments series, this work emerges from a layered process of perception and translation. Georgouras composes her images using an eyegaze device, generating digital forms through eye movement alone. These digital compositions are then transcribed through AI and carefully hand-painted by an assistant onto board, canvas, or paper.
The painting presents a constellation of suspended geometric forms set against a dense black ground. Lime, powder blue, charcoal and white shapes intersect and hover, while small red accents punctuate the field with rhythmic tension. The composition suggests architectural elements disassembled and reconfigured—structures without fixed orientation, fragments without a visible whole.
Rather than depicting loss, Fragments proposes construction through multiplicity. The black ground operates as active space, holding each form in a state of poised equilibrium. Through this mediated process—eye, machine, hand—the work expands traditional notions of authorship and abstraction, offering a contemporary language shaped by distributed agency and embodied perception.