Walking North, from the Walking the Perimeter series by Janet Elizabeth Thomas
In Kayaking, Rozelle Bay, Janet Elizabeth Thomas captures a moment of quiet activity along Sydney's harbour foreshore beneath a dramatic sky. Small figures gather at the water's edge with kayaks and paddleboards, while the broad expanse of Rozelle Bay stretches towards the distant silhouette of the Anzac Bridge. The contrast between the human scale of the waterfront and the monumental presence of the city beyond creates a compelling balance of intimacy and grandeur.
Part of the Walking North group within Walking the Perimeter, the work reflects Thomas's journeys beyond Marrickville into the harbour precincts of the Inner West. Drawn to places where recreation, nature and industry intersect, the artist records the diverse ways people inhabit and engage with the urban landscape.
Using a restrained palette of cool greys, blues and muted violets, Thomas conveys the atmosphere of a changing day, where shifting weather and reflective water create a sense of movement and calm. The painting celebrates both the vitality of Sydney's waterways and the contemplative experience of arriving at the water's edge after a long walk.
Medium: Digital painting, archival pigment print
Edition: Limited edition of 25
Size: A3 (297 × 420 mm)
Authentication: Individually signed and numbered by the artist on the reverse and accompanied by a Certificate of Authenticity.
Framing Options: Available unframed or professionally framed in a range of contemporary timber and gallery-style finishes. Museum-grade matting and glazing options are available upon request.
A thoughtful addition to the Walking North series, Kayaking, Rozelle Bay offers collectors a distinctive portrait of Sydney's working harbour, where everyday recreation, expansive water views and iconic landmarks combine to create a rich sense of place.
Walking North, from the Walking the Perimeter series by Janet Elizabeth Thomas
In Kayaking, Rozelle Bay, Janet Elizabeth Thomas captures a moment of quiet activity along Sydney's harbour foreshore beneath a dramatic sky. Small figures gather at the water's edge with kayaks and paddleboards, while the broad expanse of Rozelle Bay stretches towards the distant silhouette of the Anzac Bridge. The contrast between the human scale of the waterfront and the monumental presence of the city beyond creates a compelling balance of intimacy and grandeur.
Part of the Walking North group within Walking the Perimeter, the work reflects Thomas's journeys beyond Marrickville into the harbour precincts of the Inner West. Drawn to places where recreation, nature and industry intersect, the artist records the diverse ways people inhabit and engage with the urban landscape.
Using a restrained palette of cool greys, blues and muted violets, Thomas conveys the atmosphere of a changing day, where shifting weather and reflective water create a sense of movement and calm. The painting celebrates both the vitality of Sydney's waterways and the contemplative experience of arriving at the water's edge after a long walk.
Medium: Digital painting, archival pigment print
Edition: Limited edition of 25
Size: A3 (297 × 420 mm)
Authentication: Individually signed and numbered by the artist on the reverse and accompanied by a Certificate of Authenticity.
Framing Options: Available unframed or professionally framed in a range of contemporary timber and gallery-style finishes. Museum-grade matting and glazing options are available upon request.
A thoughtful addition to the Walking North series, Kayaking, Rozelle Bay offers collectors a distinctive portrait of Sydney's working harbour, where everyday recreation, expansive water views and iconic landmarks combine to create a rich sense of place.