Janet Elizabeth Thomas

Studio Cloud
Walking Home, from the Walking the Perimeter series by Janet Elizabeth Thomas

In Studio Cloud, Janet Elizabeth Thomas brings Walking the Perimeter to its final destination: the studio itself. Set against a brilliant blue sky, a luminous cloud drifts above the distinctive facade of Thomas Georgouras Studios, framed by trees that soften the geometry of the building below. The simplicity of the composition focuses attention on light, atmosphere and presence, transforming a familiar everyday view into a moment of quiet contemplation.

Part of the Walking Home group, the concluding chapter of the series, the work represents the end point of the artist's journeys through the Inner West. After walking north, south, east and west, the studio becomes both destination and refuge, a place where observation is transformed into creative expression. The passing cloud suggests movement and impermanence, while the studio stands as a constant centre within the artist's lived landscape.

Through vibrant colour, simplified forms and a distinctive digital painterly style, Thomas celebrates the relationship between place and creativity. The work reflects the central themes of Walking the Perimeter: attentiveness, resilience, and the restorative power of returning home.

Medium: Digital painting, archival pigment print
Edition: Limited edition of 25
Size: A3 (297 × 420 mm)
Authentication: Individually signed and numbered by the artist on the reverse and accompanied by a Certificate of Authenticity.

Framing Options: Available unframed or professionally framed in a selection of contemporary timber and gallery-style finishes. Museum-grade matting and glazing options are available upon request.

The final work in the Walking Home series, Studio Cloud offers collectors a poignant meditation on arrival and belonging, affirming the studio as both a physical destination and the creative heart of Walking the Perimeter.

Walking Home, from the Walking the Perimeter series by Janet Elizabeth Thomas

In Chapel Street Crossing, Night, Janet Elizabeth Thomas captures a quiet and familiar corner of Marrickville illuminated by streetlights and moonlight. A zebra crossing leads the viewer into the composition, while modest houses, a parked car and a weathered telegraph pole create a scene that is unmistakably suburban. The warm glow of interior lights contrasts with the cool blues and greens of the night, transforming an ordinary streetscape into a moment of calm reflection.

Part of the Walking Home group, the concluding chapter of Walking the Perimeter, the work reflects the artist's return through the streets closest to her studio. As the journeys of north, south, east and west converge, attention shifts to the intimate details of home: familiar intersections, quiet roads and the landmarks passed countless times on foot. These spaces become repositories of memory and belonging.

Through a careful balance of simplified form, rich colour and atmospheric light, Thomas evokes the experience of walking through the neighbourhood after dark, when everyday surroundings take on a heightened sense of presence and mystery. The crossing itself becomes a metaphor for transition, marking the final stages of a journey and the approach of home.

Medium: Digital painting, archival pigment print
Edition: Limited edition of 25
Size: A3 (297 × 420 mm)
Authentication: Individually signed and numbered by the artist on the reverse and accompanied by a Certificate of Authenticity.

Framing Options: Available unframed or professionally framed in a selection of contemporary timber and gallery-style finishes. Museum-grade matting and glazing options are available upon request.

A contemplative addition to the Walking Home series, Chapel Street Crossing, Night offers collectors an evocative portrait of Marrickville after dark, celebrating the quiet beauty of familiar streets and the enduring comfort of finding one's way home.

Walking Home, from the Walking the Perimeter series by Janet Elizabeth Thomas

In Fitzroy Street Trees, Janet Elizabeth Thomas captures a quiet streetscape transformed by the presence of mature trees and the changing light of day. Strong branches stretch across the composition, casting deep shadows over walls, footpaths and neighbouring homes. The interplay of architecture and foliage creates a layered image in which nature both frames and softens the built environment, revealing the distinctive character of Marrickville's residential streets.

Part of the Walking Home group, the final chapter of Walking the Perimeter, the work reflects the artist's return to familiar surroundings after journeys in each direction from her studio. Along these homeward routes, ordinary streets become places of reflection, where the repetition of walking encourages close observation and a deeper connection to place.

Through rich colour contrasts, expressive brushwork and a luminous palette, Thomas transforms a familiar suburban scene into a meditation on shelter, memory and belonging. The overarching canopy and protective walls evoke the sense of enclosure and comfort associated with arriving home, while the vibrant sky hints at the continual renewal found within everyday experience.

Medium: Digital painting, archival pigment print
Edition: Limited edition of 25
Size: A3 (297 × 420 mm)
Authentication: Individually signed and numbered by the artist on the reverse and accompanied by a Certificate of Authenticity.

Framing Options: Available unframed or professionally framed in a selection of contemporary timber and gallery-style finishes. Museum-grade matting and glazing options are available upon request.

A warm and contemplative addition to the Walking Home series, Fitzroy Street Trees offers collectors a lyrical portrait of Marrickville's urban landscape, celebrating the trees, streets and moments of quiet observation that turn a neighbourhood into a home.

Walking Home, from the Walking the Perimeter series by Janet Elizabeth Thomas

In Factory Heron, Janet Elizabeth Thomas discovers an unexpected moment of grace within the industrial landscape of Sydney's Inner West. Poised atop the corrugated roofline of a factory building, a solitary heron stands against a pale morning sky, its elegant silhouette contrasting with the strong geometry of the architecture beneath it. The composition distils the scene to its essential forms, drawing attention to the quiet coexistence of nature and industry.

Part of the Walking Home group, the concluding section of Walking the Perimeter, the work reflects Thomas's return journey toward her Marrickville studio. Along these familiar routes, moments of encounter with birds, waterways and urban wildlife become reminders of the resilience of the natural world within an increasingly built environment.

Through subtle colour, layered texture and a minimalist composition, Thomas transforms an everyday observation into a contemplative meditation on balance, adaptation and belonging. The heron becomes both a sentinel and a symbol of pause, embodying the attentive state of mind cultivated through walking.

Medium: Digital painting, archival pigment print
Edition: Limited edition of 25
Size: A3 (297 × 420 mm)
Authentication: Individually signed and numbered by the artist on the reverse and accompanied by a Certificate of Authenticity.

Framing Options: Available unframed or professionally framed in a selection of contemporary timber and gallery-style finishes. Museum-grade matting and glazing options are available upon request.

A quietly elegant addition to the Walking Home series, Factory Heron offers collectors a distinctive vision of the Inner West, where industry, wildlife and careful observation converge to reveal the poetry hidden within the everyday landscape.

Walking Home, from the Walking the Perimeter series by Janet Elizabeth Thomas

In The Pumping Station, Sydenham, Janet Elizabeth Thomas turns her attention to one of the hidden industrial landmarks of Sydney's Inner West. Reflected in the still waters from the ancient Gumbramorra Swamp, the historic pumping station stands as a quiet monument to the infrastructure that has shaped the landscape and supported the growth of the city. The calm surface of the water mirrors the structure and the expansive sky above, creating a composition that balances industry, history and nature.

Part of the Walking Home group, the concluding section of Walking the Perimeter, the work marks the final stages of the artist's return journey toward her Marrickville studio. Along these familiar routes, overlooked industrial buildings become markers of memory and orientation, connecting the past and present within the everyday geography of home.

Through subtle colour harmonies, layered textures and a contemplative treatment of light, Thomas transforms a functional structure into a meditation on place, endurance and the narratives embedded within the urban environment. The reflection in the river reinforces the theme of return, inviting viewers to consider both the physical and psychological landscapes encountered on the journey home.

Medium: Digital painting, archival pigment print
Edition: Limited edition of 25
Size: A3 (297 × 420 mm)
Authentication: Individually signed and numbered by the artist on the reverse and accompanied by a Certificate of Authenticity.

Framing Options: Available unframed or professionally framed in a selection of contemporary timber and gallery-style finishes. Museum-grade matting and glazing options are available upon request.

A thoughtful and atmospheric addition to the Walking Home series, The Pumping Station, Sydenham offers collectors a distinctive vision of the Inner West, where industrial heritage, waterways and the experience of returning home combine to create a powerful sense of place.

Walking Home, from the Walking the Perimeter series by Janet Elizabeth Thomas

In Skyline, Dawn, Janet Elizabeth Thomas captures a moment of transition as the city awakens beyond the leafy suburbs of Sydney's Inner West. Bathed in the soft pink and gold light of sunrise, the distant skyline emerges through layers of trees, rooftops and garden foliage. A solitary palm tree and the unmistakable silhouette of the Sydney Tower anchor the composition, creating a dialogue between the natural and built environments.

Part of the Walking Home group, the final section of Walking the Perimeter, the work reflects the artist's return towards her Marrickville studio after journeys to the north, south, east and west. Here, the city appears not as a destination but as a distant presence on the horizon, viewed from the intimate perspective of neighbourhood streets and gardens. The scene embodies the sense of calm and reflection that accompanies the final stages of a walk and the approach of home.

Through a luminous palette, layered textures and atmospheric handling of light, Thomas transforms a familiar urban vista into a meditation on belonging, orientation and place. The work celebrates the unique character of Sydney's Inner West, where dense vegetation, suburban life and the city's skyline exist in close relationship.

Medium: Digital painting, archival pigment print
Edition: Limited edition of 25
Size: A3 (297 × 420 mm)
Authentication: Individually signed and numbered by the artist on the reverse and accompanied by a Certificate of Authenticity.

Framing Options: Available unframed or professionally framed in a selection of contemporary timber and gallery-style finishes. Museum-grade matting and glazing options are available upon request.

A contemplative addition to the Walking Home series, Skyline, Dawn offers collectors a quietly powerful reflection on return, perspective and the enduring connection between home, landscape and the wider city beyond.

Walking Home, from the Walking the Perimeter series by Janet Elizabeth Thomas

In Sydenham Port Cranes, Moon, Janet Elizabeth Thomas transforms an industrial landscape into a striking nocturnal study of light, geometry and place. Illuminated by artificial light and framed beneath a crescent moon, the towering forms of port infrastructure rise against a deep night sky, their angular structures echoing the rhythms of the surrounding urban environment. Nearby rooftops, utility poles and foliage ground the scene within the lived landscape of Sydney's Inner West.

Part of the Walking Home group, the final section of Walking the Perimeter, the work reflects the artist's return journey toward her Marrickville studio. Seen from the Sydenham area beneath the flight path of Sydney Airport, the distant port cranes become unexpected landmarks, symbols of movement, industry and connection. As the series returns home, such structures serve as beacons marking the boundaries between the local and the global, the domestic and the industrial.

Through bold contrasts, simplified forms and rich atmospheric colour, Thomas reveals the quiet beauty of a landscape often overlooked, finding moments of contemplation within the infrastructure that shapes daily life.

Medium: Digital painting, archival pigment print
Edition: Limited edition of 25
Size: A3 (297 × 420 mm)
Authentication: Individually signed and numbered by the artist on the reverse and accompanied by a Certificate of Authenticity.

Framing Options: Available unframed or professionally framed in a selection of contemporary timber and gallery-style finishes. Museum-grade matting and glazing options are available upon request.

A compelling addition to the Walking Home series, Sydenham Port Cranes, Moon offers collectors a distinctive vision of Sydney's industrial horizon, where night, memory and the experience of returning home converge in a powerful meditation on place.

Walking North, from the Walking the Perimeter series by Janet Elizabeth Thomas

In White Bay Morning, Janet Elizabeth Thomas captures the layered character of Sydney Harbour where industry, infrastructure and water converge. Looking across the bay, working vessels, cranes and wharves occupy the foreground, while the iconic arch of the Sydney Harbour Bridge rises in the distance alongside the evolving city skyline. Rendered in luminous blues, greens and soft pinks, the scene transforms a working waterfront into a vibrant study of colour, form and atmosphere.

Part of the Walking North group within Walking the Perimeter, the work reflects Thomas's journeys beyond the residential streets of Marrickville to the harbour precincts of the Inner West. Drawn to places undergoing constant change, the artist records the visual dialogue between Sydney's industrial heritage and its contemporary urban identity.

Through simplified shapes, layered textures and a distinctive digital painting technique, Thomas creates a composition that is both observational and evocative, revealing the beauty and complexity of a landscape often overlooked.

Medium: Digital painting, archival pigment print
Edition: Limited edition of 25
Size: A3 (297 × 420 mm)
Authentication: Individually signed and numbered by the artist on the reverse and accompanied by a Certificate of Authenticity.

Framing Options: Available unframed or professionally framed in a choice of contemporary timber or gallery-style finishes. Museum-grade matting and glazing options are available upon request.

A striking addition to the Walking North series, White Bay Morning offers collectors a distinctive portrait of Sydney's harbour edge, where the city's maritime history, working infrastructure and iconic skyline meet beneath the clarity of morning light.

Walking North, from the Walking the Perimeter series by Janet Elizabeth Thomas

In Night Rozelle Bay, Janet Elizabeth Thomas explores the quiet beauty of Sydney's harbour precinct after dark. Beneath the illuminated structure of the Anzac Bridge, the waters of Rozelle Bay reflect subtle tones of blue, violet and silver, while pathways and embankments guide the eye through a landscape transformed by nightfall. The geometry of bridge, shoreline and water is softened by darkness, creating a work that balances urban infrastructure with a sense of stillness and contemplation.

Part of the Walking North group within Walking the Perimeter, the painting was inspired by walks that extend beyond Marrickville toward the harbour's edge. Here, Thomas captures a moment when the city seems suspended between activity and rest, revealing the unexpected serenity of a place more often associated with movement and industry.

Through layered textures, atmospheric colour and a carefully observed sense of light, Thomas transforms a familiar Sydney landmark into a poetic meditation on reflection, distance and the experience of walking through the city at night.

Medium: Digital painting, archival pigment print
Edition: Limited edition of 25
Size: A3 (297 × 420 mm)
Authentication: Individually signed and numbered by the artist on the reverse and accompanied by a Certificate of Authenticity.

Framing Options: Available unframed or professionally framed in a choice of contemporary timber or gallery-style finishes. Museum-grade matting and glazing options are available upon request.

A contemplative addition to the Walking North series, Night Rozelle Bay offers collectors a distinctive vision of Sydney's waterfront, where architecture, water and darkness combine to create a quietly luminous portrait of place.

Walking North, from the Walking the Perimeter series by Janet Elizabeth Thomas

In Blackwattle Bay Dawn, Janet Elizabeth Thomas captures the meeting of water, city and sky at first light. Looking across the still waters of Blackwattle Bay, the silhouette of the Anzac Bridge rises against a luminous dawn sky washed with violets, pinks and soft gold. Reflections shimmer across the bay while the distant city skyline emerges from the fading darkness, creating a scene of quiet anticipation and renewal.

Part of the Walking North group within Walking the Perimeter, the work reflects the artist's journey from the residential streets of Marrickville toward the harbour's edge. Here, the urban landscape opens dramatically, revealing a broader view of Sydney while retaining the contemplative qualities that define Thomas's walking practice.

Through layered textures, subtle tonal shifts and a careful balance of abstraction and observation, Thomas transforms a familiar city vista into a meditation on distance, transition and the changing light of dawn.

Medium: Digital painting, archival pigment print
Edition: Limited edition of 25
Size: A3 (297 × 420 mm)
Authentication: Individually signed and numbered by the artist on the reverse and accompanied by a Certificate of Authenticity.

Framing Options: Available unframed or professionally framed in a choice of contemporary timber or gallery-style finishes. Museum-grade matting and glazing options are available upon request.

A serene and atmospheric addition to the Walking North series, Blackwattle Bay Dawn offers collectors a distinctive vision of Sydney awakening, where water, architecture and early morning light combine to create a powerful sense of place and possibility.

Walking North, from the Walking the Perimeter series by Janet Elizabeth Thomas

In Kayaking, Rozelle Bay, Janet Elizabeth Thomas captures a moment of quiet activity along Sydney's harbour foreshore beneath a dramatic sky. Small figures gather at the water's edge with kayaks and paddleboards, while the broad expanse of Rozelle Bay stretches towards the distant silhouette of the Anzac Bridge. The contrast between the human scale of the waterfront and the monumental presence of the city beyond creates a compelling balance of intimacy and grandeur.

Part of the Walking North group within Walking the Perimeter, the work reflects Thomas's journeys beyond Marrickville into the harbour precincts of the Inner West. Drawn to places where recreation, nature and industry intersect, the artist records the diverse ways people inhabit and engage with the urban landscape.

Using a restrained palette of cool greys, blues and muted violets, Thomas conveys the atmosphere of a changing day, where shifting weather and reflective water create a sense of movement and calm. The painting celebrates both the vitality of Sydney's waterways and the contemplative experience of arriving at the water's edge after a long walk.

Medium: Digital painting, archival pigment print
Edition: Limited edition of 25
Size: A3 (297 × 420 mm)
Authentication: Individually signed and numbered by the artist on the reverse and accompanied by a Certificate of Authenticity.

Framing Options: Available unframed or professionally framed in a range of contemporary timber and gallery-style finishes. Museum-grade matting and glazing options are available upon request.

A thoughtful addition to the Walking North series, Kayaking, Rozelle Bay offers collectors a distinctive portrait of Sydney's working harbour, where everyday recreation, expansive water views and iconic landmarks combine to create a rich sense of place.

Walking North, from the Walking the Perimeter series by Janet Elizabeth Thomas

In Camperdown Park Moon, Janet Elizabeth Thomas captures a fleeting evening moment in one of Sydney's most cherished public spaces. Beneath a slender crescent moon, figures gather quietly in the park as glowing lamps illuminate the pathway and cast pools of soft light across the landscape. The contrast between the dark silhouettes of trees and the luminous sky creates a dreamlike atmosphere, transforming an everyday scene into a meditation on stillness, community and the passage of time.

Part of the Walking North group within Walking the Perimeter, the work reflects the artist's exploration of the neighbourhoods beyond her Marrickville studio through walks undertaken at dawn and dusk. Here, the park becomes a place of pause and contemplation, where human presence is gently woven into the rhythms of nature and the city after dark.

Through layered textures, rich tonal contrasts and a distinctive digital painterly style, Thomas evokes the quiet magic of evening, revealing the beauty that emerges when familiar places are observed with patience and attention.

Medium: Digital painting, archival pigment print
Edition: Limited edition of 25
Size: A3 (297 × 420 mm)
Authentication: Individually signed and numbered by the artist on the reverse and accompanied by a Certificate of Authenticity.

Framing Options: Available unframed or professionally framed in a selection of contemporary timber and gallery-style finishes. Museum-grade matting and glazing options are available upon request.

A beautifully atmospheric addition to the Walking North series, Camperdown Park Moon offers collectors a contemplative vision of Sydney at night, where moonlight, memory and everyday observation combine to create a scene of quiet wonder.

Walking North, from the Walking the Perimeter series by Janet Elizabeth Thomas

In Newington Steeple, Janet Elizabeth Thomas isolates a distinctive architectural detail from Marrickville's built environment, transforming it into a quietly powerful meditation on form, light and place. Rising above neighbouring rooftops, the elegant steeple stands against a luminous sky of soft pinks, mauves and pale blues, its silhouette acting as both landmark and beacon within the suburban landscape.

Part of the Walking North group within Walking the Perimeter, the work reflects Thomas's practice of discovering moments of visual clarity during her daily walks. By focusing on a single architectural element, the artist invites viewers to consider how familiar landmarks provide continuity, orientation and a sense of belonging within the changing city.

Through delicate colour harmonies, simplified geometry and layered digital textures, Thomas transforms an everyday streetscape into a contemplative study of stillness and observation.

Medium: Digital painting, archival pigment print
Edition: Limited edition of 25
Size: A3 (297 × 420 mm)
Authentication: Individually signed and numbered by the artist on the reverse and accompanied by a Certificate of Authenticity.

Framing Options: Available unframed or professionally framed in a choice of contemporary timber or gallery-style finishes. Museum-grade matting and glazing options are available upon request.

A refined and atmospheric addition to the Walking North series, Newington Steeple offers collectors a poetic vision of Marrickville's architectural heritage, where light, memory and place converge in a moment of quiet beauty.

Walking West, from the Walking the Perimeter series by Janet Elizabeth Thomas

In Henson Park, Morning, Janet Elizabeth Thomas captures the expansive openness of one of Marrickville's most treasured public spaces at the beginning of the day. Long shadows stretch across the bright green field while a lone figure and two dogs animate the landscape, emphasizing the quiet rituals that connect local residents to place. The work balances broad simplified forms with subtle atmospheric light, transforming an everyday park scene into a meditation on space, movement and community.

Part of the Walking West group within Walking the Perimeter, the painting reflects the artist's regular walks through the neighbourhood west of her studio. The sweeping shadows and early morning light evoke a sense of calm and contemplation, revealing the restorative qualities that walking and observation bring to daily life.

Medium: Digital painting, archival pigment print
Edition: Limited edition of 25
Size: A3 (297 × 420 mm)
Authentication: Individually signed and numbered by the artist on the reverse and accompanied by a Certificate of Authenticity.

Framing Options: Available unframed or professionally framed in a choice of contemporary timber or gallery-style finishes. Museum-grade matting and glazing options are available upon request.

A luminous and tranquil work, Henson Park, Morning offers collectors a distinctive vision of Marrickville's communal landscape, celebrating the beauty of ordinary moments observed through the rhythms of walking and attentive looking.

Walking North, from the Walking the Perimeter series by Janet Elizabeth Thomas

In Looking North, First Light, Janet Elizabeth Thomas captures the quiet anticipation of dawn in Marrickville. A residential street stretches into the distance beneath a luminous sky of soft pinks, violets and warm morning light. Parked cars, terraces and a solitary streetlight define the familiar urban landscape, while a small cat on the footpath introduces a fleeting, intimate moment of encounter.

Part of the Walking North group within Walking the Perimeter, the work reflects the artist's early morning walks through the neighbourhoods north of her studio. Created during moments of solitude before the city fully awakens, the painting celebrates the stillness and clarity that can be found in everyday places at the edge of daybreak.

Through her distinctive use of layered colour, texture and simplified form, Thomas transforms an ordinary streetscape into a meditation on observation, routine and the restorative rhythms of walking.

Medium: Digital painting, archival pigment print
Edition: Limited edition of 25
Size: A3 (297 × 420 mm)
Authentication: Individually signed and numbered by the artist on the reverse and accompanied by a Certificate of Authenticity.

Framing Options: Available unframed or professionally framed in a selection of contemporary timber and gallery-style finishes. Museum-grade matting and glazing options are available upon request.

A quietly atmospheric addition to the Walking North series, Looking North, First Light offers collectors a contemplative portrait of Marrickville at dawn, where familiar streets, gentle light and chance encounters become moments of enduring beauty.

Walking North, from the Walking the Perimeter series by Janet Elizabeth Thomas

In Pink Bromeliad Garden, Janet Elizabeth Thomas turns her attention to a vibrant pocket of urban gardening encountered during her walks through Marrickville. Brilliant pink bromeliad flowers rise among lush green foliage, their sculptural forms filling the composition with colour, rhythm and energy. By focusing closely on the plants and their relationship to the surrounding built environment, the artist reveals an unexpected moment of beauty nestled within the residential streetscape.

Part of the Walking North group within Walking the Perimeter, the work reflects Thomas's fascination with the details often overlooked during everyday journeys. The painting celebrates the gardens that soften and enrich the urban landscape, transforming footpaths and front yards into places of delight and discovery.

Through rich colour, layered texture and a distinctive digital painterly style, Thomas elevates an ordinary suburban garden into a meditation on growth, resilience and the rewards of attentive observation.

Medium: Digital painting, archival pigment print
Edition: Limited edition of 25
Size: A3 (297 × 420 mm)
Authentication: Individually signed and numbered by the artist on the reverse and accompanied by a Certificate of Authenticity.

Framing Options: Available unframed or professionally framed in a selection of contemporary timber and gallery-style finishes. Museum-grade matting and glazing options are available upon request.

A vibrant and intimate addition to the Walking North series, Pink Bromeliad Garden offers collectors a celebration of the colour and vitality woven into Marrickville's streets, reminding us that moments of wonder are often found in the smallest details of everyday life.

Walking North, from the Walking the Perimeter series by Janet Elizabeth Thomas

In Sunrise, Shepherd Street, Janet Elizabeth Thomas captures the moment when the first light of day transforms the familiar streets of Marrickville. Silhouetted rooftops, power lines and a solitary streetlight create a rhythmic urban foreground set against a luminous sky of pink, gold and violet. Through layered colour and intricate mark-making, the artist elevates an ordinary suburban scene into a meditation on light, renewal and the quiet promise of a new day.

Part of the Walking North group within Walking the Perimeter, the work reflects Thomas's early morning walks through the neighbourhoods north of her studio. Observed during moments of solitude and reflection, the changing sky becomes a symbol of resilience and continuity, while the everyday architecture of Marrickville grounds the work in a distinctly local sense of place.

Medium: Digital painting, archival pigment print
Edition: Limited edition of 25
Size: A3 (297 × 420 mm)
Authentication: Individually signed and numbered by the artist on the reverse and accompanied by a Certificate of Authenticity.

Framing Options: Available unframed or professionally framed in a choice of contemporary timber or gallery-style finishes. Museum-grade matting and glazing options are available upon request.

A vibrant and atmospheric addition to the Walking North series, Sunrise, Shepherd Street invites collectors to see the familiar landscape anew, capturing the beauty that emerges when careful observation meets the changing light of dawn.

Walking North, from the Walking the Perimeter series by Janet Elizabeth Thomas

In Handley Street Shoes, Janet Elizabeth Thomas transforms an unexpected suburban sight into a compelling study of memory, mystery and place. Suspended from power lines above a quiet Marrickville street, a pair of abandoned shoes becomes the focal point of the composition, drawing the viewer's eye into an otherwise familiar urban landscape. Beneath a dramatic blue-green sky, utility poles, street signs and overhead wires create a network of lines that speak to connection, movement and everyday experience.

Part of the Walking North group within Walking the Perimeter, the work reflects Thomas's attentiveness to the overlooked details encountered during her daily walks. The image captures a fleeting urban phenomenon that is simultaneously ordinary and enigmatic, inviting reflection on the traces people leave behind in the built environment.

Through her distinctive digital painting process, Thomas distils the scene into bold forms, rich colour and layered textures, transforming a chance observation into a poetic meditation on the character of the Inner West.

Medium: Digital painting, archival pigment print
Edition: Limited edition of 25
Size: A3 (297 × 420 mm)
Authentication: Individually signed and numbered by the artist on the reverse and accompanied by a Certificate of Authenticity.

Framing Options: Available unframed or professionally framed in a selection of contemporary timber and gallery-style finishes. Museum-grade matting and glazing options are available upon request.

A distinctive addition to the Walking North series, Handley Street Shoes offers collectors a uniquely local portrait of Marrickville, celebrating the unexpected moments that reveal themselves when walking slowly and looking closely.

Walking West, from the Walking the Perimeter series by Janet Elizabeth Thomas

In Dog Walking, Henson Park, Janet Elizabeth Thomas captures a fleeting moment of everyday life at one of Marrickville's most familiar landmarks. A walker and dog pass through the foreground as the setting sun casts long rays across the open expanse of the park, transforming an ordinary routine into a scene of quiet beauty. The vivid greens of the field, dramatic shadows and glowing horizon evoke the restorative qualities of walking and the contemplative atmosphere of the day's end.

Part of the Walking West group within Walking the Perimeter, the work reflects Thomas's exploration of local places encountered on foot during moments of respite and reflection. Through expressive colour and simplified forms, the painting celebrates the relationship between people, landscape and the rhythms of daily life in Sydney's Inner West.

Medium: Digital painting, archival pigment print
Edition: Limited edition of 25
Size: A3 (297 × 420 mm)
Authentication: Individually signed and numbered by the artist on the reverse and accompanied by a Certificate of Authenticity.

Framing Options: Available unframed or professionally framed in a choice of contemporary timber or gallery-style finishes. Museum-grade matting and glazing options are available upon request.

A luminous and evocative work, Dog Walking, Henson Park offers collectors a distinctive vision of Marrickville's communal landscape, where simple acts of movement and observation become reflections on place, connection and renewal.

Walking North, from the Walking the Perimeter series by Janet Elizabeth Thomas

In Street Canna Lilies, Janet Elizabeth Thomas finds extraordinary beauty in a fleeting detail encountered during her walks through Marrickville. Brilliant red canna lilies emerge from a residential garden, their vivid blooms illuminated by morning light and set against the geometry of fences, pathways and neighbouring homes. The close-up composition draws attention to the richness and vitality of plant life thriving within the urban environment.

Part of the Walking North group within Walking the Perimeter, the work reflects the artist's practice of slowing down and observing the details often passed by unnoticed. Gardens, flowers and streetside plantings become markers of care, creativity and connection, revealing the personal character embedded within Marrickville's suburban landscape.

Thomas's distinctive digital technique combines bold colour, layered texture and simplified form to transform an everyday encounter into a celebration of growth, resilience and the pleasures of attentive seeing.

Medium: Digital painting, archival pigment print
Edition: Limited edition of 25
Size: A3 (297 × 420 mm)
Authentication: Individually signed and numbered by the artist on the reverse and accompanied by a Certificate of Authenticity.

Framing Options: Available unframed or professionally framed in a selection of contemporary timber and gallery-style finishes. Museum-grade matting and glazing options are available upon request.

A vibrant and uplifting addition to the Walking North series, Street Canna Lilies offers collectors a reminder that moments of wonder can be found in the smallest encounters, where colour, light and observation transform the ordinary into the memorable.

Walking West, from the Walking the Perimeter series by Janet Elizabeth Thomas

In Two Steeples, Evening, Janet Elizabeth Thomas captures the dramatic beauty of dusk settling over Marrickville. Beneath a richly layered sky of deep violets, blues and luminous bands of pink and crimson, two distant church steeples emerge from the darkened landscape, acting as quiet markers of place and orientation. A silhouetted fig tree anchors the composition, its broad canopy standing in contrast to the luminous horizon beyond.

Part of the Walking West group within Walking the Perimeter, the work reflects Thomas's practice of observing the familiar landscape during her evening walks. The painting transforms an expansive suburban view into a meditation on light, memory and the passage of time, revealing the extraordinary atmosphere that can be found within everyday surroundings.

Medium: Digital painting, archival pigment print
Edition: Limited edition of 25
Size: A3 (297 × 420 mm)
Authentication: Individually signed and numbered by the artist on the reverse and accompanied by a Certificate of Authenticity.

Framing Options: Available unframed or professionally framed in a selection of contemporary timber and gallery-style finishes. Museum-grade matting and glazing options are available upon request.

A contemplative and atmospheric addition to the Walking West series, Two Steeples, Evening invites collectors to experience Marrickville at the threshold between day and night, where familiar landmarks become silhouettes against a sky of remarkable colour and light.

Walking West, from the Walking the Perimeter series by Janet Elizabeth Thomas

In Henson Hill, Marrickville, Janet Elizabeth Thomas evokes the quiet poetry of twilight in one of the Inner West's most familiar landscapes. An empty seat stands atop the grassy rise known locally as Henson Hill, silhouetted against a luminous sunset sky streaked with soft pinks, blues and golds. The distant glow of houses and the darkening line of trees create a sense of depth and stillness, while the elevated viewpoint transforms an everyday parkland into a place of reflection and contemplation.

Part of the Walking West group within Walking the Perimeter, the work reflects Thomas's observations made during regular walks through Marrickville. The hill itself becomes a destination and vantage point, offering a moment of pause within the rhythm of movement. Through layered textures, atmospheric colour and simplified forms, the artist captures the restorative experience of being present within the landscape at the close of day.

Medium: Digital painting, archival pigment print
Edition: Limited edition of 25
Size: A3 (297 × 420 mm)
Authentication: Individually signed and numbered by the artist on the reverse and accompanied by a Certificate of Authenticity.

Framing Options: Available unframed or professionally framed in a selection of contemporary timber and gallery-style finishes. Museum-grade matting and glazing options are available upon request.

A serene and atmospheric addition to the Walking West series, Henson Hill, Marrickville offers collectors a meditation on light, solitude and place, celebrating the quiet moments of renewal found within Sydney's urban landscape.

Walking West, from the Walking the Perimeter series by Janet Elizabeth Thomas

In Henson Park Evening, Janet Elizabeth Thomas captures the gentle transition from day to dusk at one of Marrickville's most beloved gathering places. As the sky warms with the last light of evening, small groups of people are scattered across the open field, enjoying the spaciousness and calm of the park. The sweeping curve of the grandstand creates a strong visual counterpoint to the expansive lawn, while distant buildings and trees anchor the scene within the familiar landscape of Sydney's Inner West.

Part of the Walking West group within Walking the Perimeter, the work reflects the artist's exploration of everyday public spaces encountered on foot. Through simplified forms, luminous colour and an economy of detail, Thomas evokes the sense of community, leisure and belonging that characterises life in Marrickville.

Medium: Digital painting, archival pigment print
Edition: Limited edition of 25
Size: A3 (297 × 420 mm)
Authentication: Individually signed and numbered by the artist on the reverse and accompanied by a Certificate of Authenticity.

Framing Options: Available unframed or professionally framed in a selection of contemporary timber and gallery-style finishes. Museum-grade matting and glazing options are available upon request.

A quiet celebration of community and place, Henson Park Evening invites collectors to experience the atmosphere of a familiar local landmark transformed through observation, memory and the contemplative rhythms of walking.

Walking West, from the Walking the Perimeter series by Janet Elizabeth Thomas

In Two Steeples, Marrickville, Janet Elizabeth Thomas presents a quiet panorama of the Inner West, where rooftops, gardens and tree canopies are framed by two distant church steeples that rise above the suburban landscape. Dominating the composition is a magnificent fig tree, its broad canopy acting as both landmark and anchor, connecting the intimate scale of neighbouring homes with the wider horizon beyond.

Part of the Walking West group within Walking the Perimeter, this work reflects the artist's close observation of the views, landmarks and rhythms encountered during walks west of her studio. Through a restrained palette, layered textures and simplified forms, Thomas transforms an everyday outlook into a contemplative study of place, memory and belonging.

Medium: Digital painting, archival pigment print
Edition: Limited edition of 25
Size: A3 (297 × 420 mm)
Authentication: Individually signed and numbered by the artist on the reverse and accompanied by a Certificate of Authenticity.

Framing Options: Available unframed or professionally framed in a selection of contemporary timber and gallery-style finishes. Museum-grade matting and glazing options are available upon request.

A serene and evocative addition to the Walking West series, Two Steeples, Marrickville invites collectors to experience the layered character of the Inner West, where familiar landmarks, mature trees and domestic architecture combine to create a rich sense of local identity and place.

From the Walking the Perimeter series by Janet Elizabeth Thomas

In Winged Victory, Marrickville, Janet Elizabeth Thomas reinterprets a familiar local landmark through a contemporary digital language of simplified geometry, rich colour and textured surfaces. Isolated against a luminous blue sky, the winged figure emerges as both monument and symbol, embodying themes of resilience, endurance and transcendence. By focusing attention on the sculptural form itself, the artist transforms an everyday sight encountered during her walks into an image of quiet strength and contemplation.

Created as part of Walking the Perimeter, the work reflects Thomas's practice of discovering moments of significance within the built environment of Marrickville and Sydney's Inner West. Through close observation and repeated journeys on foot, local landmarks become touchstones of memory, place and personal reflection.

Medium: Digital painting, archival pigment print
Edition: Limited edition of 25
Size: A3 (297 × 420 mm)
Authentication: Individually signed and numbered by the artist on the reverse and accompanied by a Certificate of Authenticity.

Framing Options: Available unframed or professionally framed in a selection of contemporary timber and gallery-style finishes. Museum-grade matting and glazing options are available upon request.

A striking addition to the Walking the Perimeter series, Winged Victory, Marrickville offers collectors a powerful meditation on the relationship between public monuments, personal journeys and the enduring character of place.

Walking West, from the Walking the Perimeter series by Janet Elizabeth Thomas

In Orange House, Woodland Street, Janet Elizabeth Thomas captures a vivid fragment of suburban Marrickville, where lush garden plantings soften the geometry of a brightly coloured home. Framed by tropical foliage and flowering plants, the house becomes both architectural subject and garden retreat, reflecting the unique character of the Inner West's residential streets.

Part of the Walking West group within Walking the Perimeter, the work emerged from the artist's regular walks through neighbourhoods west of her studio. Thomas's distinctive digital approach, with its rich colour, layered textures and simplified forms, transforms an everyday streetscape into a celebration of place, observation and the quiet beauty of domestic life.

Medium: Digital painting, archival pigment print
Edition: Limited edition of 25
Size: A3 (297 × 420 mm)
Authentication: Individually signed and numbered by the artist on the reverse and accompanied by a Certificate of Authenticity.

Framing Options: Available unframed or professionally framed in a choice of contemporary timber or gallery-style finishes. Museum-grade matting and glazing options are available upon request.

A vibrant addition to the Walking West series, Orange House, Woodland Street invites collectors to experience the colour, texture and individuality that define Marrickville's streets and gardens, revealing the extraordinary qualities hidden within the everyday landscape.

Walking West, from the Walking the Perimeter series by Janet Elizabeth Thomas

In Pink House, Woodland Street, Janet Elizabeth Thomas celebrates the quiet character of Marrickville's residential streets. Framed by a white picket fence and dense garden foliage, the house emerges partially concealed behind flowering trees, evoking a sense of privacy, memory and domestic sanctuary. The artist's distinctive use of simplified forms, layered texture and vibrant colour transforms an everyday suburban scene into a richly patterned study of place and belonging.

Part of the Walking West group within Walking the Perimeter, the work reflects Thomas's exploration of the neighbourhoods encountered on walks west of her studio. Through careful observation, familiar streets and gardens become symbols of the enduring relationships between home, landscape and community.

Medium: Digital painting, archival pigment print
Edition: Limited edition of 25
Size: A3 (297 × 420 mm)
Authentication: Individually signed and numbered by the artist on the reverse and accompanied by a Certificate of Authenticity.

Framing Options: Available unframed or professionally framed in a range of contemporary timber and gallery-style finishes. Museum-grade matting and glazing options are available upon request.

A vibrant and intimate work, Pink House, Woodland Street offers collectors a lyrical portrayal of the hidden beauty found within Marrickville's streetscapes and gardens, capturing the quiet moments that define a lived and walked landscape.

From the Walking the Perimeter series by Janet Elizabeth Thomas

In Path to Wolli Creek, Janet Elizabeth Thomas captures a secluded moment within one of Sydney's treasured urban bushland corridors. A winding path leads the viewer through lush vegetation inviting reflection on the restorative experience of walking through nature. Rich greens and layered textures evoke the density of the landscape, while the gentle curve of the track suggests both journey and discovery.

Created as part of Walking the Perimeter, the work reflects the artist's practice of exploring the interconnected waterways, parklands and hidden pathways that lie within walking distance of her Marrickville studio. The painting celebrates the contrast between the city's built environment and the unexpected pockets of tranquillity that endure within it.

Medium: Digital painting, archival pigment print
Edition: Limited edition of 25
Size: A3 (297 × 420 mm)
Authentication: Individually signed and numbered by the artist on the reverse and accompanied by a Certificate of Authenticity.

Framing Options: Available unframed or professionally framed in a selection of contemporary timber and gallery-style finishes. Museum-grade matting and glazing options are available upon request.

A contemplative and richly atmospheric work, Path to Wolli Creek embodies the themes of renewal, observation and connection to place that define Janet Elizabeth Thomas's Walking the Perimeter series, offering collectors a vision of the Inner West's quieter, more intimate landscapes.

From the Walking the Perimeter series by Janet Elizabeth Thomas

In Winged Victory, Marrickville, Janet Elizabeth Thomas reinterprets a familiar local landmark through a contemporary digital language of simplified geometry, rich colour and textured surfaces. Isolated against a luminous blue sky, the winged figure emerges as both monument and symbol, embodying themes of resilience, endurance and transcendence. By focusing attention on the sculptural form itself, the artist transforms an everyday sight encountered during her walks into an image of quiet strength and contemplation.

Created as part of Walking the Perimeter, the work reflects Thomas's practice of discovering moments of significance within the built environment of Marrickville and Sydney's Inner West. Through close observation and repeated journeys on foot, local landmarks become touchstones of memory, place and personal reflection.

Medium: Digital painting, archival pigment print
Edition: Limited edition of 25
Size: A3 (297 × 420 mm)
Authentication: Individually signed and numbered by the artist on the reverse and accompanied by a Certificate of Authenticity.

Framing Options: Available unframed or professionally framed in a selection of contemporary timber and gallery-style finishes. Museum-grade matting and glazing options are available upon request.

A striking addition to the Walking the Perimeter series, Winged Victory, Marrickville offers collectors a powerful meditation on the relationship between public monuments, personal journeys and the enduring character of place.

From the Walking the Perimeter series by Janet Elizabeth Thomas

In Cooks River at Dawn, Janet Elizabeth Thomas captures the stillness of first light along one of Sydney's most significant urban waterways. Layers of luminous colour and intricate digital mark-making transform the riverbank into a meditative landscape where land, water and sky merge in quiet harmony. Reflections ripple across the surface of the river, while a solitary tree stands as a calm sentinel against the awakening day.

Created from observations made during early morning walks, the work embodies the central themes of Walking the Perimeter: attentiveness, resilience and the restorative power of movement through familiar environments. Thomas's distinctive visual language elevates an everyday scene into a contemplative study of place, memory and renewal.

Medium: Digital painting, archival pigment print
Edition: Limited edition of 25
Size: A3 (297 × 420 mm)
Authentication: Individually signed and numbered by the artist on the reverse and accompanied by a Certificate of Authenticity.

Framing Options: Available unframed or professionally framed in a selection of contemporary timber and gallery-style finishes. Museum-grade matting and glazing options are available upon request.

Part of Janet Elizabeth Thomas's ongoing exploration of Sydney's Inner West, Cooks River at Dawn offers collectors a richly atmospheric interpretation of a treasured local landscape, reflecting the beauty that emerges through repeated journeys and careful observation.

Walking West, from the Walking the Perimeter series by Janet Elizabeth Thomas

In Henson Park Sunset, Janet Elizabeth Thomas captures the dramatic close of day over one of Marrickville's most recognisable landmarks. A brilliant band of orange and gold light illuminates the horizon beneath sweeping clouds, while the silhouetted forms of a Norfolk Island pine, historic grandstand and floodlight tower create a striking sense of place. The glowing sky contrasts with the darkened foreground, transforming the familiar sporting ground into a landscape of atmosphere and reflection.

Part of the Walking West group within Walking the Perimeter, the work reflects Thomas's experience of walking through Marrickville during the transitional hours of evening, when changing light reveals unexpected beauty in ordinary surroundings. The painting highlights the significance of local landmarks as markers of memory, community and daily ritual.

Medium: Digital painting, archival pigment print
Edition: Limited edition of 25
Size: A3 (297 × 420 mm)
Authentication: Individually signed and numbered by the artist on the reverse and accompanied by a Certificate of Authenticity.

Framing Options: Available unframed or professionally framed in a selection of contemporary timber and gallery-style finishes. Museum-grade matting and glazing options are available upon request.

A luminous and atmospheric addition to the Walking West series, Henson Park Sunset offers collectors a powerful evocation of Marrickville at day's end, where light, landscape and local identity converge in a memorable portrait of place.

From the Walking the Perimeter series by Janet Elizabeth Thomas

In Sydenham Rd Intersection, Janet Elizabeth Thomas captures a fleeting urban moment at the meeting of street, traffic and architecture in Marrickville. Bathed in the soft light of dusk, the scene balances movement and stillness: a solitary car pauses at the crossing while a distinctive corner building and silhouetted tree stand as enduring markers of place. Through simplified forms, atmospheric colour and subtle texture, the artist transforms an ordinary intersection into a contemplative portrait of the Inner West.

Created as part of Walking the Perimeter, the work reflects Thomas's practice of exploring her local environment on foot, finding beauty and meaning in familiar streets encountered during early morning and evening walks.

Medium: Digital painting, archival pigment print
Edition: Limited edition of 25
Size: A3 (297 × 420 mm)
Authentication: Individually signed and numbered by the artist on the reverse and accompanied by a Certificate of Authenticity.

Framing Options: Available unframed or professionally framed in a range of contemporary timber and gallery-style finishes. Museum-grade matting and glazing options are available upon request.

Part of an ongoing exploration of Marrickville's streets and landmarks, Sydenham Rd Intersection offers collectors a distinctive vision of Sydney's Inner West, where everyday urban spaces are reimagined through observation, memory and atmosphere.

From the Walking the Perimeter series by Janet Elizabeth Thomas

In Lilydale Street Dawn, Marrickville, Janet Elizabeth Thomas captures the quiet transition between night and day on a corner near Marrickville Library. A solitary streetlight glows against the soft morning sky, while trees, footpaths and residential architecture emerge slowly from the shadows. The composition evokes the stillness and anticipation of the early hours, transforming an everyday suburban streetscape into a moment of reflection and calm.

Created as part of Walking the Perimeter, the work reflects the artist's practice of walking through Marrickville at dawn and dusk, observing the subtle shifts of light, atmosphere and place that often go unnoticed in daily life.

Medium: Digital painting, archival pigment print
Edition: Limited edition of 25
Size: A3 (297 × 420 mm)
Authentication: Individually signed and numbered by the artist on the reverse and accompanied by a Certificate of Authenticity.

Framing Options: Available unframed or professionally framed in a selection of contemporary timber and gallery-style finishes. Museum-grade matting and glazing options are available upon request.

Part of Janet Elizabeth Thomas's ongoing exploration of Sydney's Inner West, Lilydale Street Dawn, Marrickville celebrates the beauty found in familiar neighbourhood spaces, revealing how the simple act of walking can transform the ordinary into the quietly remarkable.

Digital painting using Sketchable and Corel
Limited Edition Archival Print
Edition of 25 | A3

The familiar becomes quietly luminous in Evening House, Illawarra Road. Bathed in the cool blue light of dusk, the historic terrace stands between the last light of day and the warm glow of its illuminated interior. Above, the moon emerges through the canopy of trees, while the surrounding darkness softens the architecture into memory rather than strict observation.

Created from one of Janet Elizabeth Thomas's regular walks through Marrickville, the painting reflects the restorative rhythm of walking and the heightened awareness that comes with slowing down. The work celebrates the understated beauty of Sydney's Inner West, revealing how ordinary homes become places of mystery, shelter and contemplation as evening falls. Through painterly digital brushwork and a restrained palette, Thomas transforms a familiar suburban streetscape into a meditation on belonging, memory and the quiet comfort of home.

From the Walking the Perimeter series by Janet Elizabeth Thomas

This digital painting captures a familiar corner of Marrickville life: the pool room of the Henson Park Hotel. Through a distinctive interplay of observation and memory, Janet Elizabeth Thomas transforms an everyday social space into a nuanced study of community, leisure and belonging. The geometry of the pool table, the glow of overhead lights and the quiet presence of patrons combine to create a scene that is both intimate and emblematic of the Inner West.

Created as part of Walking the Perimeter, the work reflects the artist's engagement with the places encountered on regular walks through Marrickville, celebrating local landmarks and the moments of connection they foster.

Medium: Digital painting, archival pigment print
Edition: Limited edition of 25
Size: A3 (297 × 420 mm)
Authentication: Individually signed and numbered by the artist on the reverse and accompanied by a Certificate of Authenticity.

Framing Options: Available unframed or professionally framed in a selection of contemporary timber and gallery-style finishes, with museum-grade matting and glazing available on request.